For Luis Paz. Culture & Entertainment - Página/12, April 29, 2011 .- "Who will give me at least once, to prove who has more than it needs to have almost always been convinced that it is not enough, and speaks of having nothing more to say?" In 1986, the Brazilian rock band Legião Urbana, one of the most important in this country, released their album Dois , including this piece, as required now to lay out the vision of the community claim Qom, or more However, its television news coverage: Is there nothing more to say, only that there "Indians" cutting the 9th of July? How far is valid to complain that "took" to the city one block, all blocks having Buenos Aires and took away all that the Nation of Argentina? To address these questions need to review CD trays used or travel to Brazil. Just go to Rêverie , the new dream of a musician, producer, composer and DJ Luciano Supervielle, on his second album in front of musicians composing Bajofondo, the combined regional shared with Gustavo Santaolalla and Juan Campodonico, producers reverie. In this plate not only recovers that song, also revisits the "I'm not a stranger" by Charly García, the "Song of guy" by Eduardo Darnauchans and "Shout" from the stomachs (two Uruguayans). "It is not typical solo album, because there would have been without the cooperation "of a dozen artists from the Southern Cone, said Supervielle, which is submitted by the 17 and 18 June at the ND / Ateneo (Paraguay 917) and in Cordoba and Rosario . Rêverie is not a live album, nor a studio album: "It's a hybrid. Like everything we make with Bajofondo, the fact of recording these songs live at the Teatro Solís de Montevideo (Uruguay Colon) and complete study responds to the search for new ways to compose ", located Supervielle. The music is delivered to piano to conduct a web of violins, bandoneon, guitars, basses, drums and even a children's choir. In this context, it is evident once again gaze capacity Santaolalla and Campodonico production: there are fifteen songs based on high frequencies of piano, violin and bandoneon, which is not giving the organic sound of acoustic instruments or the strength of the frequencies serious. "While this disc does not have an implicit language hip hop as had the previous ( Bajofondo has Supervielle ), the groove and the bass is essential in my musical education" recovery.
"On the other hand, this opening has to do with my instrument is the piano and is a harmonic instrument par excellence. However, I argue that the melody is the most important: something simple harmony, as the sum of two chords, you can generate a great melody. But it is not easy to find magical songs without a good melody and a lot harmonic fabric, take the time to clarify. Certainly the capacity to create music of that "Indians" in the voice of Luisa Pereira, a graphic designer nerd computer "that is not dedicated to music. Or the beauty of" Where the birds go, cutting disc that Uruguayan singer / songwriter developed Franny Glass lyrics and vocals: "Please do not talk about the weather or transit, we are lost between the city and our anxiety. "There is in this song other" Bajofondo "may be released as promotional single new version of" Wet Tiles ", a song which was already known in the hands of Bajofondo and also has the participation and Santaolalla Music Campodonico, Supervielle promote this album with a theme complete with a key author of the new singer-songwriter scene in the neighboring country, but unknown outside it.
Train of dreams (that's the meaning of the pro-French title), are the instrumental parts that provide the state more drunk which is located between waking and sleeping, "Form", "Touch wood" or the eloquent "Real and magic," core concept of an album and in that way to combine the reality of a magic show and the study aims to cross a road that is paved in consciousness and bumpy offered by the sub and unconscious, space flight sensations, movements and structures of American popular music.
In this context, "I'm not a stranger" is not just a fad: the French version, which sings Supervielle beyond than the musical work the best are used, sets the tone another attempt, perhaps unconscious, to unify urban modern music and the founding of the region with the origins European musical biographical and Supervielle. "I love Gainsbourg, is certainly my role model, especially when composing music for films or doing string arrangements. Melody Nelson is my boss," admits the pianist who has worked on soundtracks for The bath Pope and The REDOTE: A History of Artigas, one of the pieces in the series Libertadores that TVE produced for Latin America. "But the choice of covers is also about to pay homage to iconic albums of our music. Darnauchans is the case, which is a reference for the authors of my generation. The funny thing is that for all of us is giving us a man great, but here shown by sample of vinyl in which he recorded the 'Song of guy', who composed at 17 and recorded when she was only 19 years, "Luciano is surprised.
if Goodie it also is "Zizou" and "The Prince", two pieces dedicated to a pair of football idols Supervielle: "Both in Zinedine Zidane as Enzo Francescoli extrafutbolístico side is that, in my opinion, although it can not be understood as art, it can be compared with art. There is an artistic beauty in his vision of the court, in its understanding of the game. Although I do not believe in a god or belief I have esoteric, I consider myself very spiritual and I believe we should work hard on the emotions and spirit. The music feeds, football, even though both fields pass through a commodification that ugly enough ".
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